MAGIX SOUND FORGE Pro [v15.0.0.64] For Mac (Latest Version) Free Download

MAGIX SOUND FORGE Pro For Mac (Latest 2021) Torrent Download


Magix Sound Forge Pro for Mac provides high-quality audio editing that can record 32 channels simultaneously at 24-bit/192kHz. After defining your songs, you can continue editing. This software offers you a wide range of tools to add effects and edit your songs if they are appropriate.

With the new asset, his first practical presence is joining forces with Mac Editing package partner Magix.

Acid Pro, Sound Forge, and Vegas Video are well-known audio, video, and music editing programs. All were developed originally by Sonic Foundry for Windows PCs. In 2003, Sony acquired the Sonic Foundry line of desktop products and created its own creative software division. And over the next 13 years, the three programs have experienced a wealth of richness. The last major Acid Pro update dates back to 2008. It’s a shame that the software was pioneering at the time and paving the way for products like Ableton Live. Vegas performs a little better with Sony, and not only has Sony recently released a major update to Sound Forge for Windows in 2013, but it has also released the OS version.

The Sound Forge Pro Mac, which I reviewed in SOS February 2013, was an experiment that lost many of the features of the larger Windows edition but gained some of them in the next two years. It was hoped that similar ports could be made to Vegas and Acid Pro for the X operating system, but that did not happen, and since 2014, very little has been accomplished in development. Sonic Foundry’s SpectraLayers software, as well as those of Sonic Foundry, was purchased by German company Magix in May 2016, primarily due to their professional tools such as Lamplight and their original music, audio, and video. Software, acquisition

Long-time fans tend to be interested in such a change of ownership, as they prefer that manufacturers integrate technology into their products rather than eliminating software assets. Thus far, however, everything looks promising. Magix has revealed a roadmap for Sound Forge’s future following the relaunch of Vegas last year. The next release of Windows is due later this year, but Sound Forge Pro Mac version 3 will be the first update to be released.

Freshly Forged:

The Sound Forge Pro Mac 3 program is based around Windows but offers a lot of customization options. In our first Magix update, we kept this basic performance intact, as SFPM had already provided it. We always get an audio editor that is quite advanced and based on a gorgeous and engaging user interface. The top/center of the application is where you can organize and display several audio files in different ways, including waveform displays. A waveform display can be complemented by other panels displayed to the left and right, and below, that can display counters, file navigation, and plugin chains. Floating above the single-window interface are the plug-in details and registration information.

It is possible to record audio files with up to 32 channels and a maximum resolution of 24 bits / 192 kHz. Indicators and regions can be specified within the audio files. A full range of common audio editing functions is included in both malicious and non-malicious editing modes. There is a wide range of internal plugins and 64-bit AU and VST plugins can also be hosted. SpectraLayers Pro users can also open a Sound Forge file for editing in this environment. The main point here is that for most common audio editing tasks and CD production tasks, SFPM, while not fully replicating the full performance of the Windows version, is a very delicate, powerful and easy-to-use platform.

What exactly happened? I think this update is more evolutionary than revolutionary, although there are some new items in the packaging that are very useful and attractive. It may not only be understood but also make sense, given the change in ownership. The Sound Forge wheel isn’t the only progress Magix has made without inventing it.

Level Heads:

Given the SFPM’s set of core features, the use of the phrase “Useful but Medium” is a great way of describing its progress. For example, there are audio plugins with new private tags, although to some extent the basics, including Reverb, delays, noise gates, and adjustment effects. This can be useful if the SFPM3 is the first to use audio in your Mac, but if that’s not the case, I think most users will already give you plugins that cover this type of routine. . More advanced options.

I welcome audio playback and loudness meters that show playback and volume. It may be more interesting to mention Loudness Meters (standard channel gauge screens) and Automatic Loudness when discussing the new professional audio editor. Creating voice masters that meet AES-EBU’s high standards can be done by balancing these factors. There are three additional screens that can be added to the Loudness Meter panel; its indicators show the immediate intensity based on one 400-millisecond window, the short-term intensity with three 3-second windows, and the combined intensity on all channels. This is perhaps the most useful criterion for recording or mixing dynamics, the intensity range. Another method of measuring peak power is known as “real peak measurement,” which can detect intermittent peaks that do not appear on a typical digital peak but can cause issues during signal reconstruction.

With the Loudness Meter options, you can check mono, stereo, or even surround sound with the Advanced tab. You can also switch between EBU R128 (for Europe) and ATSC A85 (for North America) using the Mode drop-down menu. In addition, you have a choice between selecting +18 and +9 dB scales, as well as selecting different measurement resolutions to measure lower-level signals by adjusting the base of the meters between -12 and -138 decibels. Depending on your specific audio hardware.

You can access the audio system to check any audio file for loud compliance with the new feature of login. As part of the new Loudness Leveling feature, the user can adjust the volume levels of selected audio files using the mode selector in the Tools menu. From the Tools menu, you can generate a volume report that summarizes the features of an audio file if your customer needs one. It can be used to document the file’s compatibility.

Plug & Preview:

Among the distinctive features of early versions of Sound Forge that differentiated them from most DAW programs was that the audio and processing effects tended to be destructive, albeit with neutralization options and ways forward. I would have preferred a better way of showing how these processes look. The editor’s signal chain preview options have been improved, as you can now set different plug-in chains for each audio file, which are saved along with the project file. Thus, testing possible processing options is made much easier, and the need to create multiple versions of audio files is reduced. Using your plugin chain, you can burn Red Book CDs without having to use any additional effects once you’ve defined your types of areas in your project. (In version 2, burning your CD has been added as an update). Burning your CD was completely absent in version 1 of Sound Forge Mac Pro.

SFPM3 offers this option, and I found that both third-party plug-ins and its own internal plug-ins could be applied via the Plug-In Chain panel. SFPM3 now has iTunes auditing options, which allows you to see how the Master audio sounds after it has been encrypted by Apple. In this case, an audio file is created in M4A format, allowing for A / B listening tests and modifying mastering for optimal results. You can extract audio from video files including XAVC, XDCAM, and AVCHD as well. If you’re a video editor that requires a dedicated audio editor to correct your audio content, SFPM3 can now do that. SFPM3 auto-extracts and displays the sound from video files by dragging and dropping. The program lacks a preview window, but you can export the audio to other video editing programs. As long as I load a few test clips and then send the sound to iMovie or Final Cut Pro, this process is no problem for me.

Now, below the interface, you can find/repair the audio file by using the Find / Repair buttons. This way, you can detect mute voices and place markers around the problematic regions. In addition to auto-repair, there’s also a more comprehensive audio repair option with the SFPM3 as mentioned in the “Ozone and RX” box.

Steady Rolling:

Sound Forge is an audio editor I have used in the past to edit audio on Windows. SFPM3’s visual workflow has always been a strength of the program, and I am glad to see that it maintains its transparency and clarity. It seems Magix has improved the user experience for its plugins by expanding and modifying real-time program options. In particular, people who use the background music / DAW background have found that plugin strings in each case are a more familiar concept than the preview options found in previous versions of Sound Forge. With one exception, when Sound Forge rebooted me on the desktop, my time with the latest version was quite smooth, and I had no problem using a wide range of third-party plugins from Waves. , Steinberg, native instruments, iZotope and Toontrack.

There is an argument to be made that Magix has adopted something for SFPM version 3 over previous versions. However, add-ons, especially new measurement/intensity options, and the best ways to work with plugins are very welcome. Magix has also added significant value to the collaboration with iZotope, and the ozone elements and RX Elements transfer editing, repair, and mastering of very useful audio packages to the software package without the need for Magix to reinvent the SF wheel. Have. Since the purchase of the two Element versions separately represents the bulk of the purchase price, including in Sound Forge, it makes them a beautiful package. Users of the previous versions that update, even better than iZotope retail products, and the new features of Sound Forge at a slightly better price than the full retail price, get an even better deal.

It has been five years since Sound Forge first made its debut. Fortunately, it is now a professional audio editing environment that can seduce both novices and serious “project” producers. It is clear that version 3 of SFPM has been enhanced by the new feature. It is our hope that Sound Forge will remain successful in the future

Application ScreenShots:



Key features Of Sound Forge Pro Mac (Latest Version):

  • Gracenote CD album identification.
  • Supports 64-bit audio units and VST 2.x plug-ins.
  • Loudness metering.
  • Multiple edit modes.
  • File conversion automation.
  • Advanced audio waveform editor.
  • Automatic time-based recording.
  • Channel Converter.
  • Multichannel file editing and processing.
  • Multichannel audio recording.

Pros And Cons:


  • Good value, if Ozone Elements and RX Elements are useful to you.
  • Refined plug-in support is very welcome.
  • The program’s elegant user interface and workflow has been retained and enhanced.


  • No video window.
  • It’s not clear what the integration with RX means for Magix’s own spectral editing package, SpectraLayers.

Minimum Operating System:

  • OS X 10.9+

Sound Forge Pro 15 For Mac Torrent Download (Latest 2021):

Download Link 1 / Download Link 2

File Size: 57.99 MB

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.